The control room at Razor's Edge Sound features a Sony DMX-R100 mixer. The DMX-R100 is derived from the world-renowned Sony OXF-R3 Oxford. The result is a mixer with comprehensive feature set that includes 25 motorized faders, a sophisticated control panel with touch-screen control, a fully integrated package of automation, a digital routing matrix and machine control. The DMX-R100 delivers excellent sonic performance via its state-of-the-art processing technology, offering 24-bit quality and the ability to operate at both standard and double sample rates (44.1, 48, 88.2, and 96 kHz). The DMX-R100 offers an extremely high level of processing power. EQ and dynamic processing for all input channels, PGM, Aux Send, and MTR outputs. The DMX-R100, with its stunning sound performance, operability, and flexibility, meets the creative needs of producers, artists, and engineers from tracking to mixdown.
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Mixers |
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Sony DMX-R100 |
56 ch./fully automated |
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Recorders |
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Steinberg Nuendo 4 |
64 inputs / 64 outputs |
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Solid State Logic AlphaLink AX |
AD/DA |
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Tascam CD-RW5000 |
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Sony A6 |
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Monitors |
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Genelec 1031A |
(pr.) |
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Yamaha NS-10M |
(pr.) |
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Event 20/20p |
(pr.) |
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(5) |
Tannoy SBM |
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JBL PSW-1000 |
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QSC RMX850 |
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Microphones |
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Neumann U87 |
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Neumann M147 |
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Neumann KM184 |
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Soundelux E251C |
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Soundelux ifet7 |
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Soundelux U195 |
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Beyerdynamic M160 |
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(4) |
Sennheiser MD421 |
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(7) |
Sennheiser MD504/E604 |
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(2) |
Shure KSM32/SL |
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Shure SM81 |
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(5) |
Shure SM57 |
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(2) |
Shure SM58 |
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(2) |
AKG C451B |
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AKG D112 |
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Mojave Audio MA-201 |
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Groove Tube MD-1A |
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(2) |
Groove Tube Convertible |
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Rode NTK |
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CAD E-200 |
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CAD E-100 |
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Stedman N90 |
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(2) |
Octava MC012 |
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Audio-Technica ATM 25 |
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(2) |
Audio-Technica Pro 25 |
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Audio-Technica Pro 35x |
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Yamaha Subkick |
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Preamps |
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API 3124+ |
4 ch. |
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Avalon M5 |
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Avalon U5 |
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AEA TRP |
2 ch. |
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Great River ME-1NV |
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Drawmer 1960 |
2 ch. |
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Universal Audio 610B |
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Universal Audio M-610 |
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Vintech 1272 |
2 ch. |
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(3) |
FMR Audio RNP |
2 ch. |
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(24) |
Sony DMX-R100 |
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Comps/Limiters/Gates |
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(2) |
Empirical Labs EL8 Distressor |
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(4) |
Universal Audio 1176LN |
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Universal Audio LA-2A |
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(4) |
dbx 160 |
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dbx 263X |
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t.c. electronics Triple-C |
2 ch. |
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SPL Transient Designer 4 |
4 ch. |
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(3) |
FMR Audio RNC |
2 ch. |
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FMR Audio RNLA |
2 ch. |
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Rocktron Studio Gate |
4 ch. |
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Effects |
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t.c. electronics Reverb 4000 |
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t.c. electronics M5000 |
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(2) |
t.c. electronics M2000 |
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t.c. electronics M-One |
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Lexicon 480L w/LARC |
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Lexicon PCM91 |
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Lexicon MPX500 |
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Eventide H8000 |
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Eventide Eclipse |
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Misc. |
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Apogee Big Ben |
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Coleman Audio M3-PH |
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t.c. electronics Finalizer |
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BBE 422A |
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Radial X-Amp |
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Radial SGI |
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Little Labs STD |
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Alesis SR-16 |
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Emu Proteus |
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Marshall JMP-1 |
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(2) |
Alesis ADAT HD24 |
48-track hard disk |
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Alesis BRC |
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Software |
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Antares Auto-Tune 4.0 |
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Cakewalk Sonar Studio 6.2 |
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Celemony Melodyne Studio 3.2 |
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Celemony Editor 1.0 |
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Digidesign Pro Tools 7.4 |
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Garritan Personal Orchestra |
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Native Instruments Akoustik Piano |
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Native Instruments B4 II |
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Native Instruments Kompakt |
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Sony Acid Pro 7.0 |
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Sony Acoustic Mirror |
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Sony Batch Converter |
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Sony CD Architect 5.2 |
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Sony DVD Architect 5.0 |
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Sony Noise Reduction 2.0 |
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Sony Soft Encode |
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Sony Sound Forge 10.0 |
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Sony Vegas Pro 8.0 |
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Sonic Reality Symphony Strings |
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Synchro Arts VocAlign |
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Wavemachine Labs Drumagog 4.1 |
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iZotope Ozone 4 |
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iZotope Alloy |
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Copyright(c) 2004 Razor's Edge Sound. All rights reserved.
RazorsEdgeSound@att.net