A partial list of our clients include:

Cosmic Dust Devils
Jack Chilton
Ian MacCleod
Crosswind
Jason Welch
Mark Keller
ALMA
The Suspects
Laredo
Homegrown
Victoria Cross
Roy Adams
Hilary Smith
Laughing Stock
Demonio
Rawhide Records
Lisa Roberts
Richard Haas
April Harvell
 Michael Hayter
Lowell Snyder
Mame
 Axcan Pharma
Debbie Darnell
Sarah Fox
 Texas Billionaires
The Gunhands
Jenni Williams
Gill Bryer
Erin Jo
Round 7
Latinology
Kelly Hannath
Pat Pierson
Such A Voice
Lavell Lathan
Jason Marbach
Two Feathers



 

Joel Guzman
Cimmarron
Jeff Strong
Eight Ball Down
Paul Betts
Monte Cristo
Dessau Music Hall
Kevin Higgins
Debbie Daniel
NACL/Salt
Gary Schweda
Omni
28 mph
Michael McKeown
Denise Squier
Kelly Douglas
Gardes
Tim Brace
 Michael Brockman
Al Frazier
The Flametrick Subs
Austin High School
Keith Tarrant
Russ Bartlett
 Empathy's Gone
Staynd Glass
Rose Of Jericho
Jeff Metil
Euphoria
Avenue AM
The Extractors
Last Crush
Cory Linn
Johnny Hootrock
Michael Hamley
Con Pierson
Assyria




 

What our clients have to say about us:

"There's no need to go to Los Angeles for world class sound when you can go to Razor's Edge Sound in Austin. Great rooms, exquisite gear, and a wealth of knowledge. I had a very positive experience there and plan on working with them a lot in the future."
                                                   - Joel Guzman (Award-winning Producer)

"Kevin at Razor's Edge Sound did everything possible to make Crosswind's experience memorable and with as little stress as possible. With his direction, our project has gotten airplay on radio stations that would otherwise never would have played it. Thanks for everything!"
                                                      - Denise Squier (Crosswind, Twila Paris)

"Finally, I hear my music as I always envisioned it. The bass sounds great. It's the first time I've ever done something I could play in the house, car, etc. that sounded good everywhere."
                                                                              - Paul Betts (The Suspects)

"My main bass I use in the studio is a '66 Fender Jazz bass that I've owned since I was 18. After using it in countless studios, I know when it sounds right and when it doesn't. At Razor's Edge, it sounds right! Great tones. Advice to bass players coming to Razor's Edge: Leave the amp at home, you'll be glad you did."
                                                                    - John Koehler (Session bassist)

 "Kevin plays the mixing board as if it were a grand piano played by some of the greatest artists who've ever lived.  He's a painter of music and the finished product is evidence of the audio portrait he has drawn. He was superb in producing a product that has had rave reviews and I'm so grateful to him for his professional approach to "me," a novice who came to him with ne'er a thought of ever doing a CD of my own. I appreciate his talent and the way he made even me sound like a star.  He truly is the shining star in all of this, but will probably never get the praise he deserves.  Thanks Kevin - it's a remarkable piece of art - you really have a "master's touch."
                                                                              - Debbie Daniel (solo artist)